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The orchestra has made its reputation
with critically acclaimed interpretations of Handel, Purcell
and Rameau, but also of Haydn and Mozart amongst others. Taking
this direction has naturally led them to defend later and later
repertoires, with a particular predilection for French music
of the nineteenth Century: Berlioz (Symphonie Fantastique,
Nuits d’été), Jacques Offenbach (La
Belle Hélène, La Grande Duchesse de Gerolstein
at the Châtelet), but also Georges Bizet (Carmen
and the Arlésienne music) and Gabriel Fauré
(theatre music).
Opera has rapidly become an
important part of the orchestra’s activities and its
repertoire has expanded to embrace differing horizons: Monteverdi
(L’incoronazione di Poppea in 2000 at the Aix-en-Provence
Festival), Gluck (Armide in 1992), Mozart (The
Magic Flute at the Ruhr Triennial, Adduction from
the Seraglio at the Aix-en-Provence Festival, Mitridate
in 2005 for the Musiciens’ first appearance in the pit
at the Salzburg Festival) and above the productions of Iphigénie
en Tauride by Gluck at the Paris Opera and Bizet’s
Carmen at the Châtelet Theatre (May 2007) attracted
unanimous critical approval for the orchestra’s contribution
in particular. The diverse and high quality activity of the
ensemble has enabled them to take on a number of important
tours, in Eastern Europe, Asia and the United States of America.
Since 1996, the orchestra
is based in Grenoble and is regularly programmed at the magnificent
cultural centre, MC2. In 2005 Marc Minkowski created the workshop,
Atelier des Musiciens du Louvre • Grenoble, entrusting
the artistic direction to Mirella Giardelli : the multi-disciplined
workshop aims to build new audiences by actively developing
partnerships with local and regional cultural institutions
(often leading to performances in unusual locations!). It
is also active in the field of pedagogical and educational
projects, and many of the projects are programmed at the MC2.
Les Musiciens du Louvre •
Grenoble have recently signed an exclusive contract with the
French record label, Naïve. The first recording, featuring
the Arlésienne and extracts from Carmen
by Bizet’s, will be released in 2008. The ensemble has
also recorded with Deutsche Grammophon (Cecilia Bartoli’s
album Opera proibita (2005), Mozart’s Symphonies
40 and 41 and Offenbach romantique, a CD with
cellist Jerôme Pernoo).
In 2007 Les Musiciens du Louvre-Grenoble
celebrated their quarter century of existence. The orchestra
is considered today as one of the best in the world by the
prestigious British newspaper, The Guardian and faces the
future with a great number of projects in diverse repertoires
in Grenoble, Paris, France and abroad in the coming years
in music from Bach to Wagner. |